RITA ORA x TEZENIS

tezeniscroppedMy first foray into professional gimbal operating came as a surprise, when fellow cinematographer the brilliant Ed Rutherford asked me if I could operate my freshly bought Ronin for him. Although I almost always like to operate myself on my on shows I don’t usually do operating for other people (it happened recently for Andrew Dunn on the latest Bridget Jones movie “Bridget Jones Baby”, but that came after I had dome some additional photography for VFX and it was too good an opportunity to pass), but I was eager to test the gimbal on the field and have something high end to show that I had shot with it. I welcomed the opportunity and here’s the result, Ed’s lighting is brilliant and I am pretty satisfied with what I brought to the table.

Produced by Sarah Mantovanelli for Managment Artists

Directed by Michelangelo Di Battista e Lorenzo Cisi

Photographed by Ed Rutherford

Camera by Luca Ciuti

Shot on Sony F55 with Zeiss Super Speed Primes

New gimbal in da house!

Just bought myself some nifty new kit: A DJI Ronin full of all sorts of accessories and extras as well as a Easyrig with a lovely Flowcine Serene on top. Will give amazing hire price on those jobs I’m on should the director need it. Check the equipment page for a detailed list of my kit.

IMG_1197

The Run goes towards the next stage

Mario Sainz, after having had a lot of success with the The Run web series promo/pilot we did back in September has now flashed out an awesome storyline for the whole series and strong to our finalist place at the Raindance Web Series Film Festival (we lost the win by ONE vote!), has now decided to ask the world at large for a hand, please help him as his story deserves to be told.

Vote THE RUN, web series pilot competition.

theRun

Here’s The Run, a pilot for a web series created and directed by the brilliant Mario Sainz, produced by Kate Marsden, photography by me.

The pilot is now in competition for The Raindance Web Series Pilot competition (to see click on title).

Please share and vote for us!

Shot on Red Epic with Zeiss Super Speed prime lenses (once again Panavision & Panalux have taken care of me in the best possible way, thank you).

Also a big thank you to all the people involved who helped me shoot this, you’ve been great and your effort have been invaluable!!

IERI SERA A CENA – SHORT FILM

“IERI SERA A CENA” (Yesterday’s dinner) is a short film written and directed by the young Cristiano Pedrocco, a first time director at the time of the shoot, who has a background in photography and who, later on, attended a film school’s cinematography course in Rome. Cristiano is now working as a filmmaker in Rome.

I met Cristiano through relatives and when he proposed the film to me, upon reading the script I was instantly hooked. I like uplifting stories, maybe it’s because I’m a child of the Eighties (b. 1979) and I grew up with films such as E.T. and Back To The Future, that this story resonated with me from the start.

Cristiano spent months preparing for the shoot and albeit a minimal budget he flashed out of his own pocket, he managed to have everything in place for the shoot. And it was well worth it, the film has won many National and International festivals since it was released a couple of years ago. Now that its festival run is over I can finally post it here. I will get a subtitled version in English soon as well, meanwhile, unless you speak Italian, have a look at the pictures!

It was shot on a Canon 5D with Zeiss Compact Prime 2 Lenses.

Enjoy!

OTRIVINE – STOP MESSING ABOUT

I shot this advert for Shaven Ape, directed by Ben Fogg – with whom is a pleasure to work.

Shot on Red Epic with Zeiss Distagon Prime lenses.

EUROPCAR + ARSENAL FC CAMPAIGN

Less than a couple of weeks ago I was lucky to be involved in shooting the Europcar and Arsenal FC partnership campaign. Here’s the full edit. I shot the Trudy Mertesacker bit (the bakery) without the headshot interview of Trudy and Per.

Directed by the brilliant Ben Fogg

Produced by the lovely Jade Fitton for Shaven Ape

Shot on Red Scarlet with Canon EF zoom lenses.

 

CoM CROWDFUNDING CAMPAIGN

Please share the love and support!

CURSE OF MESOPOTAMIA MAKING OF

Here’s a funny making of video of the first half of CoM.

CURSE OF MESOPOTAMIA SECOND TEASER

Some time have passed now from when we had to flee Erbil in Kurdistan Iraq for fear of being caught in between Isis advance and the US air strikes, meanwhile our director, Lauand Omar, has been busy tweaking the script in Istanbul first and then editing complete scenes as well as a second teaser of the film to show potential investors and fans alike. Here’s a link to the teaser, I hope you enjoy. Peace!

Shot on Arri Alexa with Zeiss Superspeed Primes.